Organic land art

Tammy Panoussopoulos
2 min readMay 28, 2021

Development & reflection (9)

I looked into Richard Long’s art practice. I admire the process he developed during the making of his pieces — almost performance-like — , the way he chooses, picks, carries, installs, and photographs his land art fascinates me.

Richard Long — (Fig.1) (Fig.2) Connemara Sculpture in Ireland, 1971. (Fig.3) Photograph, gelatine silver print on paper

Richard Long uses raw materials found on the land. He modifies the space and ecologies of a chosen location, which he then photographs. He creates temporary pieces that only himself and the photograph might witness. Only a lucky hiker or animal could come across these alienist-like sculptures and installations. He almost acts as a secret mountain legend that everyone might talk about but never physically saw his art in-situ.

I considered these ephemeral and authentic practices within my work, but the whole pandemic did not allow me to travel and find natural spaces. I am going to keep this idea in the back of my mind for future projects.

I realized an artwork that was also fragile and organic was the Urban & Rural Garlic Mushrooms, which is a great achievement for me.

Tammy P. — Rural Garlic Mushrooms, 2020, garlic’s stems installation.

It is important to note that I live in Switzerland, a country with lovely mountains and beautiful biodiversity that inspires my art every day — you probably noticed that mountains are an often depicted subject within my practice. I am sure there are many resources and locations to go forward in my reflection and comprehension of my surrounding world.

Tammy P. — Untitled, 2021, watercolours and gouache on canvas (unfinished), 20 x 30 cm.

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Tammy Panoussopoulos
Tammy Panoussopoulos

Written by Tammy Panoussopoulos

source des voluptés les plus naturelles

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